Israel: Behind the Mechitza
Did you ever sit behind the mechitza? Did you ever think about the separation, and your feelings about it? Has it ever occurred to you that the mechitza can be....well....kinda sexy?
I first encountered a mechitza when I davenned at Chabad. It was a gorgeous dusky rose lace, stretched between women and men. On the one side, there were the men in their white and black striped tallitot, looking like angels; on the other were the women trickling in, heavy with perfume and makeup and gossip, whose chatter infused prayer with a rather profane abandon. In proximity to the mechitza, a few younger women davenned quietly and modestly and earnestly.
I found the men in their tallitot most appealing. I wanted to inhale and embrace that atmosphere, to enter the spiritual plane which they seemed to inhabit. And, I guess, I am attracted to angels.
Before services, the women's entrance was locked, forcing the women to pass through the men's section. The women were roundly inspected for availability and attractiveness. It was akin to running the shidduch gauntlet. Not pretty.
In Jerusalem, we toured the Israel Museum. Majorly cool. When we reached the Judaica section, inside I was jumping around with glee. How often do you get to see that much historical Judaica in one convenient spot? It was a cornucopia that went far to satisfy my curiousity, and my senses, and my cultural hunger.
For me, specifically Jewish artifacts, or those attributed to Jews, hold an unspeakable fascination. I am fascinated by the fact that there is no readily identifiable style of art or artisanship or decoration that you could recognise as "Jewish" unless the usual motifs apply- the magen David, the menorah, and commonplace religious ritual objects. I imagine it stems from the interdiction about graven images and our dispersion to the 4 corners of the world. It makes me think, wow, what a nomadic, eminently adaptable, tough and mysterious people, to continue and to thrive without benefit of the usual cultural trappings and consistency of identity. Without a discernible visual style.
The Israel Museum boasts several synagogue interiors, lovingly reassembled within its rooms. To enter any one of them, and they are all so different- from barn-like rural to exotically middle eastern- is to enter not only the experience of an era, but to stand and worship with Jews long past, and to be reminded of what it means to revere G-d. Each one of these had a mechitza. The one I recall (pix to follow) not only had a second floor balcony running the length of the sanctuary, but also a wooden lattice covering its face. I realised that the women were hidden while the men were on display for women's eyes, if they so chose to look. Instinctively, I found that particular mechitza most offputting, barring the most potent and effective invisible mechitza proferred in words and deed at the Tunisian Synagogue, where women were totally shut out.
On Shabbat morning in Jerusalem, we, along with so many others, walked to services. It is such a joy to have synagogues on almost every corner. It is such a joy to have the world slow down, for traffic to dwindle, for silence to descend, and to meet and pass others on the way to something other than work and shopping. We davenned at Kehillat Shira Hadasha, in a hall, nothing fancy. Shira Hadasha is a relatively young and Orthodox congregation. And relatively different.
We happened upon it because another rabbi told my rabbi that it was worth a look. That it was an experience like no other. The place was crowded, and people were hanging from the rafters. Luckily we always carried our own siddurim, because they are either few in number, or printed in Hebrew alone.
Dividing the room was a breathtakingly beautiful, diaphanous mechitza made of gauzy white fabric, shot throughout with delicate white embroidery. It not only divided the room, but divided the bimah and lectern where the Torah reading took place in the centre of the room, and ran down to meet the Ark at the front, affording a view for each side.
The service was the most soulful I have ever experienced. The singing was Carlebachian style, something I have not truly encountered before. It was interspersed with the usual Saturday morning melodies. But this was so different- everyone sang; there were women's voices en masse and men's voices en masse, and the voices were loud and spirited and lifted past the rafters up into the sky: a celestial choir. Now I know what the phrase, "Kadosh kadosh kadosh Adonai tzeva'ot, m'lo khol ha'aretz kvodo." * really feels like- what if feels like to really inhabit it; now I know what it means when the angels get together, and sing to each other and inspire each other and cannnot help but praise and praise and praise:
In purity and sanctity they raise their voices in song and psalm....One to another they join to hallow their Creator with serenity, pure speech, and sacred song, in union chanting with reverence. (K'riat Sh'ma and its Berakhot: Siddur Sim Shalom, p 97)
And they say there is no heaven here on earth!
I had no idea until I began reading about this congregation that in the past, women used to read from the Torah and say blessings. It was only later that the tradition changed in order to preserve the "congregation's honour" (i.e., men's shameful illiteracy/lack of learning)) and women were removed from participation. At this service, women wore tallitot, led some of the prayers, acted as gabbaim, read from the Torah and said blessings, carried the Torah on the women's side and handed it to the men, and a woman delivered the d'var Torah (in Hebrew). During the d'var Torah, the mechitza was pulled aside. Wow.
I loved it.
The one argument for the mechitza which my friend who attends Chabad has posited is that it makes someone of single circumstance, like hers, feel less alone. She hangs out with a bunch of women without their husbands and sometimes, without their children; they have included and embraced her- something that she sadly never really found at my shul (she has an autistic adult daughter).
Yet, at my present shul, I notice that a lot of the men come without their wives and sit together, and a lot of women come without their husbands and sit together. Families also hang out all over the place, and sometimes those who are single hang out with families or with the other sex. Even at minyan some women and men tend to sit in their respective clusters. I feel kinda weird because being alone during services does not bother me; in fact I prefer it because people are often inclined to talk and I rarely do. And I never feel alone when I am davenning, anyway. I suspect that the sexes naturally gravitate towards their level of comfort while maintaining a sense of community that does not alienate. I, therefore, do not find her argument or some others particularly convincing.
But, yes, I loved the service, nevertheless! I didn't mind the mechitza as much as usual. Except for one thing that I must confess- I find the mechitza sexy. During my usual activities during egalitarian services at my C shul, I rarely notice what is going on around me or the faces in the congregation, until the Torah service begins. I rest my eyes a little and scan the room, and if there is a striking man or woman I may notice. Largely, I am not aware of the sexes, or especially the other sex. But the mechitza makes me notice, draws me towards "the dark side".
There is something mouthwatering about all that testosterone robed in white, ornamental fringes in flight, acting like angels, with a "kol ish" to die for. Until a mechitza goes up, I don't notice. The mechitza is like a beacon pointing to the other sex, rather like a gold wrapping round a Godiva chocolate or box of chocolates, especially when you are single.
When you can see through the mechitza, it is all the more enticing. When you can't see anyone, it is all the more alienating. To me, the mechitza, for all its delicacy, screams difference, and that you must ever keep that in mind, you must always be aware, you must always remain self-conscious. The mechitza brings sex into the sanctuary and all the baggage that goes with it. For all its allure and charm, I really have no longing to go behind it again, either as a way of life, or even this Shabbat.
*Holy holy holy, Adonai tzeva'ot, the whole world is filled with His Glory.